Boxing once rivaled baseball as the most popular sport in America, and the immigrant Irish were among the most active ethnic groups that did well in the ring. They also used their skills to provide relief for the suffering in 1921’s Irish struggle for independence.
Perhaps you have spent years enjoying and participating in Baltimore’s Irish dance community, whether through the step dance form commonly seen among the many Irish dance groups of the region, or as part of a set dance group such as the Emerald Isle Club... and participated in their ceilis. That’s not the case with this writer, but there has been much to discover as I have interacted with dancers and musicians on the subject.
New beginnings are nothing new in our neighborhood. We have undergone a remarkable period of learning and growing at the Museum, and even had time to reflect on a new era for the parish that James and Sarah Feeley called home for fifty years.
Baltimore was a gateway for sailing ships who brought the desperate Irish into America's second busiest port. It was also, in later years a place to gather and travel eastward towards sun, sand and surf if you had a few dollars to spare.
Baltimore’s earliest Irish Catholics were a persecuted people, as were their fellow Catholics in other major cities in America. Although their numbers were strong, as they had been in Ireland, the persecution of their faith followed them to America. That persecution took another form, though; it was not particularly from the government itself, or an established church. Opposition typically came from anti-Catholic forces, such as the political Know-Nothings, religious groups and clergy.
Irish families just might have been perplexed with what to do with daughters who had so many limitations set upon them during the days of the Penal Laws, and beyond. There were few options for those born into poor Catholic families in the West of Ireland. America was different, but not immediately so. It took Irish leaders to move these young women towards their full potential.
Churches of Baltimore's ethnic communities were a reflection on the land they left, and the culture they built in their new home. Immigrants remembered their loved ones who passed away in remarkable ways: sometimes by dedicating windows and other objects to them. Those who remembered their forebears in these ways were often the more modest , including the spinsters of the parish.
Perhaps you have spent years enjoying and participating in Baltimore’s Irish dance community, whether through the step dance form commonly seen among the many Irish dance groups of the region, or as part of a set dance group such as the Emerald Isle Club. That’s not the case with this writer, but there has been much to discover as I have interacted with dancers and musicians on the subject.
Irish families got creative in the old country when it came time to educate their children within their Catholic faith traditions. They got plenty bold once they were in America, as Brothers and women religious transformed a people.
Today we remember two generations that endured hardship, sacrifice and loss, and yet they persevered. Generations that followed did not quite know about their sacrifices, but we remember them today.
Today's issue was inspired by several comments from those who enjoyed knowing about the role "Horse-and-Cart" men played in the care and feeding of our immigrant ancestors. Catholic Irish knew a few things about horses, or lack thereof.
Truly special stories were discovered as we researched the stained glass windows of St. Peter the Apostle Church. Among these was a spinster who served faithfully in one of Baltimore's most fabulous estates, and used her rewards to honor others.